Archive for September, 2012

Wake me up when september ends

Posted in 12, music with tags , , on September 30, 2012 by Miron Ghiu

September techno mix

Posted in 12, music with tags , , on September 26, 2012 by Miron Ghiu

some freshly squeezed tracks off the internet.

Jazzy beats

Posted in 12, music with tags , , , , on September 26, 2012 by Miron Ghiu

Summer dub techno mixtape

Posted in 12, music with tags , , on September 24, 2012 by Miron Ghiu

Paradisiac bestiary

Posted in 12, art, media, pomo, video with tags , , , , , on September 15, 2012 by Miron Ghiu

“Paradisiac bestiary” is exploring various realms of the biblical sin, focusing on totemic elements and also on the christian symbol of the apple as the main epic pretext for the escape from the garden of Eden. Reinterpreting the fall from paradise using pagan ritualistic masks, the four characters challenge their identities as they’re planning to be their own gods, apart from what christianity teaches us. In the rise/dawn of the “apocalypse” we certainly must preserve our humour and reinvent ourselves each time we encounter prophets and their prophecies. Each one of us is his own God: start building churches! The bestiary is within you!

Paradisiac Bestiary is a film by Cinty Ionescu
Director of Photography: Adrian Tudose
Editing: Cinty Ionescu
Sound Design: Miron Ghiu

Alo, alo, simbolismul o fi bun in arta?

Posted in 12, activism, Bucuresti, comedy, etc, Hacktivism, music, politic, pomo, retro, romania, social, video with tags , , , , , , , , , , , on September 13, 2012 by Miron Ghiu

Nea Nicu se intoarce, pregatit pentru una convorbire telefonica locala:

Cabluri (studiu de caz)

Posted in 12, Bucuresti, psihoza, romania, thfraesh, video with tags , , , , on September 3, 2012 by Miron Ghiu

Cabluri/ Cables e dedicata, fetisist, cablurilor de pe stalpurile tarii, cu accent pe cele din Bucuresti si Constanta, documentate intensiv atat video cat si foto. cablurile ii inspira materialitatea abstracta a spatiului virtual si a comunicarii dintre noi care se vede, la suprafata, ca o colectie de mate rasucite baroc in jurul stalpilor care le (sus)tin. muzica porneste de la traducerea audio a fluxurilor video si a glitch-urilor suprapuse in montaj, care pot fi interpretate ca imperfectiuni ale sistemului binar prin care ajungem, in virtual, unii la altii.

More info, on the Biennal of Young Artists’s site.